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Product Description
'This is the most astonishing piece of writing, lyrical in its emotion and spare in its construction ...Toibin has crafted an unmissable read' Sunday Herald In Blackwater in the early 1990s, three women -- Dora Devereux, her daughter Lily and her granddaughter Helen -- have come together after years of strife and reached an uneasy truce. Helen's adored brother Declan is dying. Two friends join him and the women in a crumbling old house by the sea, where the six of them, from different generations and with different beliefs, must listen and come to terms with one another. 'It is in his emotional choreography that Toibin shows himself to be an exceptional writer. Helen is estranged from both her mother and grandmother ...Toibin helps them make peace -- and he does it beautifully' Sunday Telegraph 'He writes in spare, powerful prose and he is truly perceptive about family relationships which, at times, makes reading his stories incredibly painful. But this is a beautiful novel' Belfast News 'We shall be reading and living with The Blackwater Lightship in twenty years' Independent on Sunday
Amazon.com Review
In the opening pages of The Blackwater Lightship, a stranger drives up to Helen O'Doherty's Dublin house to tell her that her brother Declan is in the hospital and needs to see her. At his request, she joins him at the creepy seaside house of their grandmother--where, as children, they awaited news of their dying father. What's more, they're not the only guests. Paul and Larry, friends of Declan who have known about his HIV diagnosis far longer than his family, are the next to arrive. And then comes Helen's estranged mother Lily, whom she hasn't seen in years. Still angry over the emotional abandonment she suffered during her youth, Helen had refused even to invite Lily to her wedding. Now she must come to terms not only with the imminent death of her beloved brother but also with her mother and grandmother--all at once.
Colm Tóibín (The Story of the Night) delivers this unsentimental account of a troubled family in spare but suggestive language. He does allow his characters a few high-spirited remarks and the occasional outburst. Otherwise, though, he keeps his tone even, allowing for the perfect integration of a light, unforced symbolism. For Lily, broken hopes and dreams are bound up with the Blackwater Lightship, one of two lighthouses that once stood in the Irish Sea near Ballyconnigar. As a child, she believed that these would always be there: Tuskar was a man and the Blackwater Lightship was a woman and they were both sending signals to each other and to other lighthouses, like mating calls. He was forceful and strong and she was weaker but more constant, and sometimes she began to shine her light before darkness had really fallen. For Helen, on the other hand, it was the house itself that prompted her deepest, happiest fantasies. But now Lily has sold the property and shattered Helen's dream that "it would be her refuge, and that her mother, despite everything, would be there for her and would take her in and shelter her and protect her. She had never entertained this thought before; now, she knew that it was irrational and groundless, but nonetheless ... she knew that it was real and it explained everything." What Declan has done by drawing them all together at Granny's house is to enact this potent, poignant fantasy. Whether it has the power to reconstruct his family is another matter, but in any case, The Blackwater Lightship remains a gripping narrative, deftly delivered by a master storyteller. --Regina Marler
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